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Behringer MDX2600 Composer Pro X B-Stock

B-Stock, Behringer MDX2600 Composer Pro XL, Dynamic-Prozessor, 19"/1HE, compressor, expander, limiter, 2 channel, expander/gate regelbar (threshold, release, ratio), Tube Simulator, De-Esser (male/female voice), sidechain, automode for compressor and Limiter (attack/release), stereo-couple, Gain reduction and In/Out-Level via LED, Peaklimiter (threshold), -10dBV/+4dBu, sym. XLR/KLI in/out, weight: 3,4 kg, B-Stock with full warranty, may have slight traces of use

28 customer ratings:
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4.4 / 5.0
  • handling
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Amazingly neutral!

Silla, 28.01.2014
I use the MDX quasi as "Bodentreter" BEFORE the Pulteingang, since our "PA" - is only for singing - has no loop-in path. The device is built into the Gator GRB-2U "gigbag rack", which can be placed somewhere in the corner. Also for larger gigs the mixer gets only the prepared signal, even if the soundmen bitches. Even as a ballast, it works as a rule with a dynamic AKG-Micro (threshold to stop, logical).
The gate switches too hard for vocals, so switch to expander and correct the level - gently opens up and there is no vocal microphone. When singing you can put Attack + Release confidently on car, which sounds very natural. Tube and Enhance are "On", the limiter stays off. In addition, a little de-eater, which is well-coordinated.
Ratio is about 4: 1 + Interactive Knee, which restricts the dynamics to the extent that one every intimate breath is already very well listened and genausowenig with the two-dash D the glasses to heal. Or else: the singing becomes denser and supports the microphone work perfectly.
If you are familiar with the parameters of dynamic processors and know which controller has the effect, you can set the thing correctly within 3-5 minutes.
The housing is sturdy, but the controls do not make the most stable impression. The transformer had a very light hum, which does not interfere with the live operation and which one could theoretically avoid via "Do-It-Yourself Groundlift", so there's point deduction in the processing. But I think this is not a serial error.

But now to the sound: The MDX2600 is very neutral, he makes perfect what he is, one does not sing "against" the compressor, but he supports the singing. You can not hear him working on some "official" and expensive devices at all - which is already noticeable in the Thomann sound examples and was the reason for the choice.
In the above-mentioned settings, the treble is softer, that is, precisely the frequencies which should be taken away from the console are reduced to such an extent that a very musical sound is obtained.
For singing, the thing is perfect!

Conclusion: at the price you can also take two or three ...
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de Automatically translated (Show original)
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Good sound for little money

Volker028, 29.11.2009
The background for the purchase of the composer was to bring the entire sound of our band in the pro-space as well as with life-performances both more compact and more differentiated. Since hardly any experience with such devices, but good experience with Behringer products were available, we decided not least because of the price for this Composer and have in no way been disappointed.

The Composer is ground in the overall signal. Feedback, as well as peaks, which have already occurred through the bass drum or the bass, are a thing of the past. The singing comes very clean and transparent, disturbing hissing, eg from the cymbals or snare can be filtered out very well and the noise in breaks is also minimized.

The operation is not quite as simple as a newcomer in this area due to the countless setting options, you have to take some time to find your optimal sound.

The processing of the composer is good. Something to get used to on my device are the potentiators, which are difficult for each channel to use.

In summary, it can be said that the Composer has exceeded our expectations with all its possibilities. The price / performance ratio is excellent, we have for a little money to improve our sound considerably.
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127 €
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