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Ampeg SVT-7 Pro Bass Head B-Stock

B-Stock with full warranty

  • Bass Head
  • Power: 1000 W RMS @ 4 Ω, 600 W RMS @ 8 Ω
  • Preamp tube: (1x JJ 12AX7), class D amplifier
  • Tone controls: bass, mid, treble, mid tone
  • Control: 5 position
  • Ultra low/ high boosts
  • Compressor
  • Balanced DI out
  • Preamp out
  • Power amp in
  • Switch for pre/ post EQ
  • -0/40 dB
  • Ground lift
  • AUX in
  • Effects loop
  • Tuner out
  • Footswitch out (footswitch on option)
  • 2 Speaker twist outputs
  • Incl. rackmount, switched mode power supply
  • Weight: 7 kg

Further information

Power 1000 W
Equalizer 3-Band
Compressor Yes
Limiter No
Effects unit No
External effect loops No
Speaker Connector Speakon
Headphone Output Yes
DI Output Yes
Tuner Out Yes
Rack mount Yes
8 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.9 / 5.0
  • handling
  • features
  • sound
  • quality
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Saurus, 25.10.2010
I added the part because our drummer, who is placing a separate monitor on his eavesdroppers, always complained that most of the signals he received were too dynamic. The reasoning, therefore, was what I could do as a bassist for my part. I first thought of a compressor. So I was looking for something beautiful. But that would have meant: I need a larger rack, because the present was already full. As a result I would have had to drag more.

By chance, I came across the SVT-7 Pro, which already has a compi onboard. Sure, I thought. That's it - an amp including Compi. The Ampeg, which just appeared on the market, fell into the first choice, because Ampeg probably with the best sound at all delivers and because the part comparatively favorable appeared. Sexy accessory: only 7 kg weight !!. So ordered quickly. Two days later the Postbuddy stood outside the door.
That same evening, I took the amp to the test and wired it into our setup. The sound as well as the external as well as the recording level are pre-set and switched off. Result: Boah !!! I would not have expected in my life that I can surpass my previous much more expensive amp still. In fact, the Ampeg sound is absolutely official. Much depends, of course, on the remaining components and the song material as well as the own playing technique, but for my entire setup the Ampeg was the key member. Already in the Raumakustik my bass sound was much better to perceive so that I could reduce the overall level. This also gave less conversations on all mics (drums, vocals, gits). The Compi has an effective efficiency. I put him with me on 60% and 6: 1 respectively, and as a result I had a sustain gain, which let the jaw drop. If I had to be afraid that sounds that have to sound a long time would sound really long enough, I must step on the brakes and send the corresponding sounds so that they do not sound where they should not sound.

On the recordings, the effectiveness of the Compis was also shown graphically. There is a song where I like Bolle with the flat hand on the deep H-string dresche. Regularly my recording sausage optically fell thereby times out of the frame. Now I can chop on my bass as I want. The recorded track always shows a stable, relatively homogeneous course.

It was important, of course, to hear the sound of the bass sound in the mix. But also here: Fantastic! A decent pound and a comfortable, pushing sound. My bass is now really effective.
All in all, I am so impressed and I'm also glad that I racked in the rack not only more space, but 12kg less. The Amp is not a cheap one, but it is solid, but the amp is not cheap.

I can therefore recommend to every conscience, the amp simply times to try.
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799 €
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Offers include 21% Belgium VAT and are valid as long as stocks last. Shipping costs to Belgium are 2,50 EUR, free shipping on orders above 49 EUR. Please click here for international Shipping rates. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
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