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Allen & Heath Xone:92 B-Stock

B-Stock, Allen & Heath Xone:92 Pro DJ mixer - 6x inputs, 2x aux-sends, 2x stereo mix outputs, booth output, record output, 4 band EQ, VCA fader, Penny & Giles active crossfader, VCF filter with resonance (low-pass to high-pass, band-pass, notch filter, all-pass), talkover, 2x headphone outputs, color: anthrazit, B-Stock with full warranty, may have slight traces of use

Further information

19" Rack Compatible Yes
Integrated Effects Unit Yes
RCA Inputs 4
Mic Inputs 2
Line Inputs 4
13 customer ratings:
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5 / 5.0
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Total
handling
features
sound
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Perfect

Felixxxx, 10.12.2012
Zudem bietet der Allen & Heath Xone-92 zwei identische analoge Filtersektionen, die jeweils als Highpass, Bandpass, Lowpass, Notch oder Allpass verwendet werden können. Diese können zusätzlich von einem LFO gesteuert werden. Sie verfügen über eine stufenlos einstellbare Resonance, die Modulationsgeschwindigkeit kann getappt werden. Die Filter sind für die bestklingensten, die ich in Clubs bis jetzt gehört habe. Als Minuspunkt könnte man dem Xone-92 anrechnen, dass er über keine weiteren Effekte verfügt, wie beispielsweise vergleichbare Pioneer Mixer, ob diese allerdings nötig sind ist fraglich. Durch Aux-Sends und Returns ist es jedoch möglich beliebig Effekte zusätzlich einzubinden. Auch der Preis von zur Zeit 1429 Euro mag für einige ein Manko sein, jedoch is der Allen & Heath Xone 92 nach wie vor für mich jeden Cent wert, da er durch seine Flexibilität derzeit auf dem Markt für mich unschlagbar ist." data-mt-lang="en-x-mtfrom-de" data-translated="The Allen & Heath Xone 92 is for me the ideal professional DJ mixer. After I used it in several clubs, I decided three years ago to buy the Xone 92 and I am still as confident of him as on the first day. <br><br> Unlike other established DJ mixers, the Xone 92 has four channels with six stereo input channels. This makes it more than just a pure DJ mixer because, in addition to four channels, which can be switched between phono or line, there are two other channels, which are used as mic, mono input, or stereo return for external effect devices can. All channels have 2 aux sends, each of which can be pre-fader or post fader. This makes it also interesting for small live setups with vocals or instruments, as they are more and more often seen in clubs. Another big difference to the competition, which is strongly noticeable in electronic music in clubs, is the four-band equalizer. It is divided into the frequency ranges Hi (> 2.5 kHz, Mid1 (2 kHz), Mid2 (350 kHz) and Lo (<250 Hz), Hi and Lo are so-called Total Kill EQs Perfect "killing" of the basses, which is not possible with most other clubmixers in this form, because in my opinion, they cut too much of the center frequencies. <br> In addition, the Allen & Heath Xone-92 provides two identical analog filter sections that can be used as highpass, bandpass, lowpass, notch or allpass. These can be additionally controlled by an LFO. They have an infinitely adjustable resonance, the modulation speed can be tapped. The filters are for the best sound I've heard in clubs so far. As a minus point one could count the Xone-92, that it has no further effects, such as similar Pioneer Mixer, whether these are necessary is questionable. With Aux sends and returns, however, it is possible to include any effects. The price of currently 1429 Euro may be a draw for some, but the Allen & Heath Xone 92 is still worth every penny for me, because it is because of its flexibility is currently unbeatable in the market for me." > The Allen & Heath Xone 92 is for me the ideal professional DJ mixer. After I used it in several clubs, I decided three years ago to buy the Xone 92 and I am still as confident of him as on the first day.

Unlike other established DJ mixers, the Xone 92 has four channels with six stereo input channels. This makes it more than just a pure DJ mixer because, in addition to four channels, which can be switched between phono or line, there are two other channels, which are used as mic, mono input, or stereo return for external effect devices can. All channels have 2 aux sends, each of which can be pre-fader or post fader. This makes it also interesting for small live setups with vocals or instruments, as they are more and more often seen in clubs. Another big difference to the competition, which is strongly noticeable in electronic music in clubs, is the four-band equalizer. It is divided into the frequency ranges Hi (> 2.5 kHz, Mid1 (2 kHz), Mid2 (350 kHz) and Lo (<250 Hz), Hi and Lo are so-called Total Kill EQs Perfect "killing" of the basses, which is not possible with most other clubmixers in this form, because in my opinion, they cut too much of the center frequencies.
In addition, the Allen & Heath Xone-92 provides two identical analog filter sections that can be used as highpass, bandpass, lowpass, notch or allpass. These can be additionally controlled by an LFO. They have an infinitely adjustable resonance, the modulation speed can be tapped. The filters are for the best sound I've heard in clubs so far. As a minus point one could count the Xone-92, that it has no further effects, such as similar Pioneer Mixer, whether these are necessary is questionable. With Aux sends and returns, however, it is possible to include any effects. The price of currently 1429 Euro may be a draw for some, but the Allen & Heath Xone 92 is still worth every penny for me, because it is because of its flexibility is currently unbeatable in the market for me.
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