AKG C480 B ULS

PreamplifierThe C 480 B is part of a system designed especially for high transmission quality with maximum flexibility. Its circuits provide, together with a trapezoidal output stage, a perfectly linear signal over the entire frequency spectrum, and at an intrinsic noise at the theoretically possible lower limit. Together with the ability to process sound pressure levels of 140 dB SPL throughout the spectrum, a dynamic beyond the 125 dB limit is achieved - more than enough to qualify for critical digital recordings. Gold plated switch and plug contacts guarantee a consistent transmission quality.

The output stage also permits a difficult signal routing, Eg by a particularly long connecting cable and does not allow any quality losses to be noticed. Two different high-pass filters and a two-stage level control allow a -10 dB pre-attenuation or an increase of +6 dB.

Possible capsule connections: CK 61-ULS, CK 62-ULS, CK 63-ULS, CK 69-ULS

  • Ultra-low noise preamplifier
  • High override resistance
  • Frequency range 10-30,000 Hz
  • Pre-attenuation +6, 0, -10 dB, switchable
  • Bass attenuation filter 12 dB / octave at 70 Hz and 150 Hz
  • Electrical impedance <150 Ohm
  • Recommended load impedance> 2.000 Ohm / 1,000 pF
  • Power supply 48 V phantom power
  • Current consumption <2 mA
  • Connector 3 pol. XLR connector
  • Surface matte black
  • Dimensions 21 Ø mm x 150 mm
  • Net weight: 115 g

Further information

Phantom Power Adapter and Feed Units Yes
Phantom Power Adapter No
Phantom power Yes
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quality

State Of The Art Preamplifier

NoKi, 16.11.2009
Oddly enough, the AKG ULS series is one of the rarely mentioned microphones, when high-quality small-diaphragm devices are mentioned; Clearly wrong. These microphones are also in practice very low noise and neutral in the sound. Worth mentioning is also the extremely good resolution and the real excellent workmanship, which even Schoeps or Neumann do not follow.

Also a frequent capsule change is taken harmlessly for years (with me since 2005), and the small series dispersion with the capsules makes a matching for stereoparas unnecessary. Especially the spherical capsule CK62 (unfortunately only "quasi" hallradiusentzerrt "and no longer available for diffuse field) is aural with considerably more expensive microphones practically interchangeable. The kidney capsule CK61 also provides a very transparent sound.
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