Akai MPC X

Groovebox / Sampler

  • Standalone operation (MPC without computer), and computer supported via PC and Mac
  • Full-colour 10.1" multi-touch display with adjustable viewing angle
  • 16 Backlit MPC pads
  • 16 Q-Link controls, each with an OLED backlight
  • OLED audio level display
  • 16 GB internal memory (over 10 GB of sounds are included)
  • SD card slot
  • 2.5" SATA connector for optional hard disk (SSD or HDD)
  • Many menu points and commands can be accessed directly by button
  • MPC Note Repeat
  • MPC Swing and MPC Transport
  • Microphone input with 48 V phantom power
  • MPC software, including: Audio track recording, real-time time stretch and pitch shift, optimised Q-Link control, and audio / MIDI drag and drop
  • MPC software can run on MPC X in standalone mode, or if connected to the computer, via PC and Mac
  • 64-Bit MPC software support for all versions (standalone, VST, AAX, and AU)
  • Supported audio formats: WAV, MP3, AIFF, REX, and SND
  • Bluetooth 4.0
  • 2x MIDI inputs and 4x MIDI outputs in standard size
  • 2x Combo input (XLR, 6.3 mm jack), for microphone and line level
  • 8x 6.3 mm Jack audio output
  • 2x 6.3 mm Headphone output
  • 8x 3.5 mm Jack CV / gate output for analog control of modular equipment, e.g. synthesizers
  • Audio input 3/4 is switchable between line level (6.3 mm jack on front and rear side), and phono input with grounding terminal
  • 2x USB-A 3.0 ports for USB sticks or MIDI controllers
  • Power supply connection with cable protection
  • Dimensions W x D x H (with display flat): 505 x 424 x 87 mm
  • Weight: 5.66 kg
  • Incl. power supply and MPC computer software (an internet connection for registration and possible downloads is required)

Further information

Display Yes
Pads 16
Fader(s) 0
Effects Yes
Sampling Function Yes
Storage Medium SD Card, HD
MIDI interface 2x In, 4x Out
USB Yes
Number of analog outputs 6
Headphone Output Yes

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5 customer ratings:
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4.4 / 5.0
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Fabulous !!!

Human S, 19.08.2017
I find this machine great!
The concept made me dream, but I was afraid to be a little disappointed especially after eight months of waiting, we imagine and read a lot of thing to wait. And then the first happy enjoyers of the MPC Live already set the tone because the latter shares the essential with the X. I also greatly hesitated between the mobility of one and the ergonomics of the other.
Well I have to say that this MPC X goes even beyond my expectations.

The machine is really beautiful and its design is well thought out, clear and intuitive ..

On the other hand, I do not like the manual, I find it messy, it makes reading difficult when looking for a simple answer. On the web there is not much on the X yet, I watched a few tutorials on Live to try to soak me up.
But I quickly found my marks and just explore to understand how it works.

The manufacturing is of quality and the materials are quite pleasant to the touch. The screen is impressive by its size and brightness, not usual on instruments. On the other hand I do not understand that on a product of this price, one has a protective adhesive of bad quality which, once removed, leaves a pedicle of glue. Difficult then to zoom on the touch screen both this one is sticky. Shrinking it fades with time.

The Q-Links are really practical and allow to control many parameters. The display of functions and values ??on the OLED display for each potentiometer is both useful and class. There's a MacBook Pro side.

The sound is precise and sends heavy! Akai is not stingy, nearly 20 GB of samples, there is enough to do. On the other hand they abuse a bit by allowing a software installation. Not cool when you have a tower and a laptop.

The MPC X is fed in and out, what to communicate with the future and the past. USB, MIDI, CV Gate ... the same for audio, it is easy to sample and the inputs in front are appreciable.

I installed an SSD internally, this spoke to me indispensable if one wants to take maximum advantage of the potential of the beast.

The connection with the Mac is fluid and easy and the soft MPC 2.0 although beta looks to roll and is useful for instruments and third plugIns.

This is a grip since I have it for two days and but I am sure that this MPC will release my creativity and give me a lot of fun.

When to Thomann, cool and efficient as always.
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Yearly maintenance ...

Stefan34, 16.08.2017
And yet disappointed!
As an MPC user of the first hour (1988 MPC-60, since 2003 MPC-4000) I have waited years for a worthy successor of my MPC-4000. The first announcements already 2 years ago already sounded very promising. Well, after receiving the MPC-X, the first tests were extremely disappointing! Many functions, such as the "Tempo-Track", which is much needed, or the step editor for displaying the individual events are quite simply missing. A clarifying call at Akai lets "hope" some time for a software update, but this device is not usable on the stage in the current state! What a pity! I decided to return the MPC-X and hope for an update as soon as possible!
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FAX: +49-9546-922328
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Future Music Akai MPC X
Akai MPC X
Future Music (12/2017)
MusicRadar.com Akai MPC X
Akai MPC X
MusicRadar.com (12/2017)
Future Music Akai MPC X
Akai MPC X
Future Music (11/2017)
Online Guide
Grooveboxes
Grooveboxes
The single most important element in any style of dance music is the ‘groove’, a chemistry of rhythm for your song that can make or break its overall feel.
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Grooveboxes
Grooveboxes
The single most important element in any style of dance music is the ‘groove’, a chemistry of rhythm for your song that can make or break its overall feel.
 
 
 
 
 
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