Acus One-5 Wood

Amplifier for Acoustic Guitar

  • Power: 50 W
  • 5" Woofer
  • Ring tweeter
  • Bass reflex housing
  • 2 Channels
  • 1 Channel for instrument or microphone
  • 1 AUX input with separate volume control
  • 3-Band EQ (bass, middle, treble)
  • Master volume
  • Digital Hall
  • Line-Out output
  • Switch to adjust the input sensitivity
  • Ground / lift switch
  • Body: Plywood
  • Speaker flange for 36 mm speaker stands
  • Weight: 7 kg
  • Dimensions (W x D x H): 24.5 x 25 x 29 cm
  • Colour: Wood Nature
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Sound samples

 
0:00
  • Vocal
  • Picking
  • Strumming
  • Bossa

Further information

Power in Watts 50
Speaker size 1x 5"
Channels 2
Reverb Yes
Effects Unit No
External FX Loop No
Microphone Input Yes
Line Input Yes
Battery Operation No
Footswitch Connector No
Incl. Footswitch No
4 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
5 / 5.0
  • quality
  • features
  • sound
  • handling
4 written ratings Read all reviews
Total
quality
features
sound
handling

Acus One 5 Wood

Allan6202, 14.09.2015
Overall an excellent acoustic guitar amp. Very well built and finished. A big upgrade from my previous Yamaha THR5A. My first impression is that the bass is more pronounced but that is probably due to getting used to the bright Yamaha. The tone controls give a wide range to suit any acoustic guitar. The 'ground lift' which I did not understand at first, it works very well in removing mains interference. In my case the laptop makes a regular clicking noise but with the ground lift this is gone.
I also use the speaker as a mono monitor for my laptop to play music and for guitar lessons and performs better than my stereo hifi equivalent. I have placed mine on a speaker stand which further improves the performance. Great amp.
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Total
quality
features
sound
handling

Evaluation of ACUS One-5 Wood

Paul Henri, 19.10.2013
The ACUS One 5 wood is a not heavy (7kg) amp easy to carry. A guitar or microphone can be connected to the main channel or both simultaneously if required; An independent volume control is required for the guitar. You can adjust the bass, midrange, treble on this channel, and add a reverb effect. There is a convenient auxiliary input with its own volume control, but with a slightly low sensitivity for my taste. A "line" output allows you to transfer the main channel to another amp, regardless of the volume setting. The amp can be put on a standard speaker stand, and I like its look.
I find the sound quality of this amp better, better than that of my AC90: the sound is clear, crystalline and well defined, the dynamics is enormous. I think it accurately reflects a large part of the sound spectrum. The bass is deep, the treble is not aggressive, and if need adjustment, the tone settings are effective. The reverberation of the main channel is very peculiar ("progressive" echo?); It brings a real plus to the guitar sounds. The power (50W RMS) is comfortable for rehearsals (in my case accordion, drums, vocals, guitar) or in choral accompaniment, or even in return for small concerts. Beware, however, of bass, an excess of which can cause saturation of the HP. Hardly a little bit of breath, but not embarrassing for me.
Being very satisfied with the results obtained with electro-acoustic guitars, and encouraged by the good rendering of the Taylor GS Mini equipped with its controversial dedicated microphone, I could not resist the temptation to have what it would give with a guitar electric plugged live. I find that the sound obtained with a Strato is sublime; The magnetic microphones with or without piezo of the Duesenberg also make magnificent, and the particular sound of this guitar (selector middle position) is well emphasized.
In short, congratulations to the designers of this little wonder combining lightness and quality, which makes me rediscover the pleasure of making music with raw sound, not or little trafficked.

PH
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