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Pickups transmit the sound of your bass to an amplifier or recording device. Inside the pickup is a magnet which creates a field around the metal strings on your instrument. An electronic signal is produced when the strings disturb that magnetic field, and this signal is then fed to an amplifier. It’s easy to see that your choice of pickup can greatly affect the sound of your bass, although it’s a relatively simple job to replace them if you decide you fancy something different. 
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Split-Coil |
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‘Split-coil’ pickups are basically double-coil pickups that have been split in two, making one side nearer to the bridge, which gives a slightly brighter tone. This pickup is very commonly used in rock music, and gives an even response over the whole bass. 
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Single-Coil |
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As found on the original Jazz Bass, as the name suggests, single-coil pickups have a single coil wrapped around a magnet, and are the simplest form of pickup. They tend to produce a clear bright sound with a strong fundamental (root tone). They sometimes pick up external noise or interference, but if two single-coil pickups are used (as on a Fender Jazz for example), with both volumes set equally, the noise will usually be cancelled out, eliminating the problem. 
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Humbuckers |
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Humbucking pickups are essentially two split-coil pickups combined into one unit, with one coil wired out of phase so that any hum or interference is rejected. High frequencies tend to be a little attenuated, but the output is generally ‘hotter’ than a single-coil. The Musicman Stingray was one of the first bass guitars to have a double-coil humbucker situated near the bridge, and was famous for its sound - similar to a Fender Jazz with the bridge pickup turned up full, but with more low end thanks to its twin coils. 
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Piezo Pickups |
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Rather than producing a magnetic field, a piezo pickup senses the vibration of the string at a contact point in the bridge of the bass. They are generally used in conjunction with regular electro-magnetic pickups as they tend to sound a lot brighter, and are most often found in semi-acoustic or fretless basses as they do not pick up unwanted noise, hum, or feedback. Without the right kind of amplification though, they can sound brittle and thin.
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