Shure SM57 LC

5216

Dynamic Instrument Microphone

Dynamic cardioid microphone for recording instruments and vocals. Its bright, clean sound and carefully contoured presence rise make it the ideal tool for live performances and studio recordings. The cardioid pickup pattern isolates the source and effectively reduces the recording of background noise. In the studio, the SM57 is ideal for recording drums, guitar, and woodwinds. The SM57 is not only the first choice for professional musicians, it has also been at the podium of the US President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make it the choice of performers, producers and engineers around the world.

  • Cardioid
  • Contoured frequency response for clear instrumental and sonorous vocal recordings
  • Decrease of percussion, drums and instruments amplifiers in professional quality
  • Cardioid for isolated signal source and reduces distracting background noise
  • Pneumatic shock minimizes handling noise
  • Holds even heavy use in stage use was
  • Frequency response: 40-15000 Hz
  • Output Impedance: 310 Ohm
  • Open circuit sensitivity: -54.5 dBV / Pa (1.88 mV)
  • Dimensions (L x Ø): 157 x 32 mm
  • Weight: 284 g
  • Incl. clamp, 3/8"Thread Adapter and Bag
  • Matching windscreen: Art. 264694 Substitute basket: Article 149561 (both not included)
numărul articolului 105768
unitate de vânzare 1 bucată(ăţi)
Condenser Microphone No
Polar Pattern Cardioid
Microphone Clamp Yes
Dynamic Microphone Yes
Complete Set No
499 lei
Include TVA la care se adaugă 89 lei costul de transport
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5216 Evaluările clienților

4.8 / 5

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2325 Recenzii

o
Shure SM57 LC
ofi14 30.10.2020
Am achizitionat acest produs in 2017. Suntem in 2021 si functioneaza ca in prima zi - fara probleme . Il recomand
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Sm57
Anonim 17.05.2023
In primul rand, e original. Thomann e unul din putinele magazine care chiar au grija la counterfits.
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google translate gb
Din păcate a intervenit o eroare. Vă rugăm încercați din nou mai târziu.
A
THE classic workhorse!
Anonim 01.08.2016
The SM57 by Shure is a classic live and studio workhorse microphone - no wonder pretty much every studio I've stepped in has had at least four or five of these!
It's a cardioid pattern mic with very strong off-axis rejection, a presence boost around 4 kHz, and a good-roll off in the lower frequencies which makes up for the proximity effect. Like its slightly younger brother the SM58, the 57 is almost indestructible, and almost every part is replaceable in case you do find a way to destroy something. If you find a Shure Unidyne, then this is an older model of essentially the same microphone.
The mic itself is very weighty and feels strong and robust, extremely well constructed. No lead but you get mic clip and carry pouch in the box!
This is a microphone which is suitable for all jobs. As mentioned in other reviews, it is widely used for drum kits and guitar amps etc., but as it was actually first designed for classical instruments, it can be used very effectively for acoustic instruments as well (tested on a harp and electro-acoustic guitars).
The sound of the SM57 up against an amplifier cabinet, such as a Marshall 4x12 or a Fender Bassman, is part of the classic sound of rock, and advanced modelling systems like the Roland VG-99 emulate a 57 up against a cabinet and at various distances, both on and off axis.
People often compare it to its brother the SM58 - but at least in my opinion the 57 has that bit more class when recording a multitude of sounds and I always prefer using it.

All in all, it's no wonder the SM57 is considered the industry standard workhorse microphone - can't go wrong with buying one (or two... or three ;) )! I've used 57s for longer than I care to admit, in various situations (both in the studio and live) and I've never been let down by one so I always highly recommend them!
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google translate gb
Din păcate a intervenit o eroare. Vă rugăm încercați din nou mai târziu.
EB
Industry standard, but not for 2020
Edgar Blackdagger 16.04.2020
It is what it is, you stumble upon it everywhere and it used to be convenient for any occasion, but it's not the 80s anymore, it's got medium output, not great side and back rejection and bad off-axis colorartion (now I understand why everyone else has hi-hat issues) and its frequency responce is full of peaks and drops.
For me nowadays it should be considered as just a character mic if you want the sound of the '80s and '90s, nothing bad with that, but it's not that miraculous mic you hear about, at least not for today's standards.

For guitar cabs I prefer ribbon mics (SE electronics, even some T-bones occasionally) and for drums I went all Albini and the skies opened, now I use Oktava MK-12 mics on snare, toms and sometimes room, and the only dynamic mic I find useable is the Sontronics Solo, way quieter and cleaner bleed and a way more hi-fi mic.
Also for snare I've done some shootouts with an Audix i-5 and it was awesome, but I haven't tested what it does with a hi-hat behind it.
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