Auratone 5C Super Sound Cube Classic

Ho acquistato le Auratone 5c super sound cube, ora nuovamente sul mercato con un progetto che ricalca quasi fedelmente l'originale del 1958 e sono rimasto soddisfatto da quanto avevo letto nei vari forum in rete.
Il suono è un suono piccolo ma preciso; l'antitesi del suono hi-fi perchè privo di basse e morbidezza ma proprio per questo le auratone riescono a far capire bene come impostare il mix ed avere un riscontro sul mix finale che si adatta a molti ascolti casalinghi.
Un tempo si diceva "se suona bene sulle auratone, suona bene dovunque" ( a patto di aver realizzato un mix equilibrato, aggiungo io).
Questi monitor non per nulla sono stati un riferimento mondiale per il broadcast e la musica.
L'idea di acquistare questi monitor è stata per me legata a due fattori: la realizzazione di un piccolo home studio e quindi necessità di far convivere un paio di monitor più grandi con queste auratone che riesco ad occupare veramente poco spazio; la necessità di poter lavorare su voiceover e mix di documentari destinati alla televisione.
Pur sopportando volumi alti senza affaticare le orecchie, questi monitor danno il meglio nell'ascolto a basso volume riuscendo a far sentire tutto (seppur nei limiti del piccolo altoparlante).
Sicuramente un acquisto che non delude e che in questi anni sta tornando utile vista le modalità di fruizione della musica.
Esteticamente poi, appassionano e danno calore allo studio

I was looking for reference speakers and found that Auratone Cubes are back in production! They really are great reference listening for mixing. They sound so "bad" that they highlight the flaws in your mix instantly, exactly what you'll need! And they are small in size too, you'll find a place for them.

I was already looking for used ones on eBay, but you'll never really know how used up they are. And most importantly, the price is almost the same! I switch monitors during mixing when I feel that I'm losing little focus or sense of balance. They reveal the mistakes. I really can't imagine to have just these in the studio, they are narrowband speakers - 75 - 17000 Hz. But I backchecked the mixes that I've done in the past. The ones that I'm still quite proud of, they sounded good on Auratones and the ones that were just OK, they were no good on Auratones?. And the same goes for any music.

Speakers are really small, no problem to find space for them on your desk (I've heard some use just one speaker for reference, some even don't place them apart for each other for stereo panning, just side by side). They are passive speakers, just find the matching amp.

It was hard to find low-wattage studio amp for them (20 Watts). But as i consulted with some wiser people: you don't really need a special amp for reference. Any decent and pretty flat receiver kind of amp will do. And if you are pro user, you don't need to match the speaker and amp wattage. It's even better to have higher powered amp - more clarity and cleaner sound. Low wattage solid state amp will produce square wave when cranked up and it will destroy the speaker more likely.

In conclusion - great reference, they are very revealing, I get better mixes much faster. They are small, no problem finding space for them. They are the best buy for a long time!

Music is a territory of various elements. Time, synchronicity, pauses, tonality, harmonic nuances, dynamic variations etc. While time elements are generally fairly distinctive, some others aren’t. Recorded music always contradicts reality in the domain of perception.
As a matter of fact, recorded music is somehow an illusion. An illusion of frequency fullness, harmonic plentiness, correctness of intensity and so on.
The main problem dealing with recorded music content is to bring as much as humanly possible is the perception close to reality. Largely, this is a mind game. Where, and when, perception wins, reality loses. And if we let reality win, perception would tear us apart… That’s the reason why “unreal” recorded music always sounds very “different” from the “real” performed live. Needless to say we needed a compromise here. Well, not so late after... “man gave names to all the animals”, he invented studio monitor speakers! While he was struggling to light a fire in his shack he was trying as well to compromise perception with reality. Αnd as today's music goes back to prehistoric times, the controversy over whether monitor speakers should enhance perception or reproduce reality has erupted.
Given all the above I would say that Auratone’s Sound Cubes are not the kind of monitors that enhance perception. They are focused on the less spectacular and ostentatious goal of reproducing reality, the pure yet complex reality of that graph curve showing the variations of tonality in relation to time which we used to call music.
I’ m using Sound Cubes as reference monitors along with passive Westelakes Lc 8.1, KRKs R6 and active Emes Cobalt in a professional recording studio. In my opinion, they provide a thumbnail, a concise but accurate "summary" of the final outcome of a mixing while they can also be very useful during tracking.
In an acoustically well-treated room they will unfold their sound virtues providing the user a valuable tool to approach musical realism. I think, in this environment you would hardly experience the emphasis on the middle range frequencies which these speakers are notorious. I also find the performance of the low range quite satisfactory in relation to their dimensions and what is written and said sometimes. Obviously they are not for newcomers who are looking for, and excited about, super bass and super highs and prefer impressive sound reproduction despite realistic representation. In conclusion, Aurotone’s Sound Cubes are critical listening tools of a very good quality that offer precision and accuracy while they always remain pleasant to the listener's ears.

There are not that many products out there that really help you with your mix as a pair of Auratone speakers.

I've been using a pair of mid-priced monitors for mixing and sound design but haven't really felt that I've been totally in charge of the final mix and sound.

So when I heard that Auratone where making these again I just had to get a pair and jump on the Auratone train.

They definitely don't sound "horrible" as the name they've earned through the years and it really isn't a name they deserve. These monitors are just very honest and really gives you vital information about your mix and sound.

You can get a surgical control of you mids, which I would say is very important to get closer to a good crisp mix that sounds good on any speaker systems.

So if you are tired second guessing your results I really recommend these monitors/speakers.

One of my best buys to date!

Note:
You need to drive these monitors through an stereo amplifier because they are passive monitors so take that into your consideration.