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the t.bone SC 1100

the t.bone SC 1100
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Large Diaphragm Studio Microphone

Through the 1.07" double-diaphragm, switchable polar patterns (omnidirectional, cardioid, figure eight) and high-pass filter, SC1100 suitable for all studio applications.

  • Switchable d polar pattern: omnidirectional, cardioid and figure eight
  • Low cut switch
  • Frequency response: 20 - 20000 Hz
  • Max. SPL: 123dB
  • Sensitivity: 39.4 mV / Pa
  • Output impedance: 200 Ohm
  • Equivalent Noise Level: <20 dB (A-weighted)
  • Distortion: <0.5% at 125 dB SPL
  • Equivalent noise level dB (A): 6.8
  • Power supply via phantom power 48 V (± 4 V)
  • Weight: 941 g
  • Incl. aluminium case and new shock mount

Come up with your own creative bundle and save

If you order this product together with others as part of a bundle, you can save up to %5 additionally!
ART Tube MP + the t.bone SC 1100 + the sssnake SMP6BK + Millenium MS-2004 + +2 more
starting from €175 Configure bundle now
ART Dual Pre USB + the t.bone SC 1100 + the sssnake SMP6BK + the t.bone SC 300 + +3 more
starting from €249 Configure bundle now
Behringer Xenyx 302 USB + the t.bone SC 1100 + the sssnake SM6BK + Millenium MS-2004 + +4 more
starting from €185 Configure bundle now

Customers that were interested in the t.bone SC 1100, have then bought these products

the t.bone SC 1100 47% bought this exact product
the t.bone SC 1100
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€125 Add to Cart
Rode NT1-A Complete Vocal Recording 10% bought Rode NT1-A Complete Vocal Recording €189
the t.bone SC 400 8% bought the t.bone SC 400 €58
the t.bone SC 450 5% bought the t.bone SC 450 €98
the t.bone SCT 800 3% bought the t.bone SCT 800 €195
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424 customer ratings:

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5 of 194 feedback texts

Read all reviews

I hate blind A/B tests

gordonliv, 23.05.2016

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There's a little trick I do from time to time to compare different products. It's good fun and you can learn a lot. What I do is set up blind A/B comparisons and compare two or more products to see which one's better. I don't limit this activity to audio products - I do it with wines, cheeses, coffees and teas... even fabrics. Sometimes the results are really astonishing. If you can't tell the brand name of the thing you're listening to/tasting/feeling... then you have to decide your preference on what your senses are telling you.

Most of the time I do this test on audio products, though. I've done pre-amps, mics, reverbs, keyboards, snare drums...

I've actually done blind A/B testing with some other T.Bone mics - the MB75 and the MB85 - and the reviews are up here on the Thomann website.

Anyway, I've just finished doing my blind A/B test on this mic (the T.Bone SC-1100) and another (how shall I put this?) er... "very well known" large diaphragm condenser mic. I won't mention it by name, but you know which one it is.

Well, the T.Bone mic won. Yes it did. Admittedly, I only tried the A/B test on vocals, but after all that's mostly what I'll be using this mic for. It beat the other, much more famous, mic; not by a huge amount - it was close - but it definitely came out on top. This mic has a warmer, smoother and less "middly" sound than "the other one". It also responds better to plosives (although that's not really an issue for either mic if you use a pop shield). The output of this mic did seem to be slightly lower than the other one, but again that's not an issue when you have a nice clean pre-amp and can turn up the input gain (you wouldn't have to turn it up by much anyway).

And the most astonishing thing - given that this mic WON the blind A/B test - is the price. A quick calculation brigs this mic in at 5.3% of the cost of the other one. A TWENTIETH of the price!

This is why I hate blind A/B testing. You learn a lot. Sometimes you learn too much!

I'll probably still use the other mic for outside clients in the studio. It's by no means a bad mic! And that's the mic that clients expect to see when they come in to record a vocal session, so that's the one I'll use - especially given thatI've spent SO much money on it! But for recording my own vocals, and other instruments, I'm using the T.Bone SC-1100. It's a better sounding mic.

In fact I'm placing an order for another one right now. :-)

Surprisingly good

Roshan, 28.01.2014

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I was recommended one of these by a vocalist friend who knows his mics pretty well, I was a little sceptical at first but I was nicely surprised.

It has a flattering mid to top-end and nice warmth to it when used with vocals, and I was also impressed by how it sounded on acoustic guitar.

It doesn't have the really rich, deep low end of the expensive mics but given it's low price it performs very well indeed and is perfectly capable of some nice recordings, it's a case of knowing what it works well with and what it doesn't. I compared it with my SE Z3300a and ended up selling the SE mic, not only was this cheaper but it just had a warmer sound to it.

Additionally, this mic benefits from 3 polar patterns and a low cut, which increases the range of applications of the mic, e.g as part of a mid-side setup

It comes with a nice, if slightly awkwardly shaped (long rectangle) flight case and a very sturdy shock mount, you will need a decent stand to hold it when extended as it's reasonably heavy.

Great value for money, a good choice if on a budget and need a versatile and decent sounding mic.

Got rid of my RODE NT2A after I got this one!

14.07.2016

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Flat, clean, very low self noise and take EQ like a champ!

I sold my Rode NT2A after trying this microphone. The rode had an ugly mid freq. and it often sounded harsh. In my humble opinion the t.bone sounds better, and for that price I feel more comfortable using it in different recording situations!

Highly recommended microphone!

Cheers

Great microphone, great price.

04.01.2016

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I'm currently studying music technology in college and decided to pick one of these up as my first microphone. After a while of use, I still feel this was a good choice. The mic has three switchable patterns, (cardioid, figure of 8 and omni-directional) which allow for a wide range of miking positions and techniques. I mostly use the mic for vocals and acoustic instruments (guitar, mandolin, percussion) but I find it works well with others in certain situations, e.g miking a guitar amp in a certain room. The frequency response is flat enough to make it work with nearly any instrument and still produce a good sound. The bass roll off in the mic is very useful for close miking and really helps add clarity to the recording. The only thing this mic is missing is a pad, but you'll find them on any good desk/interface. Overall, it is a great mic and perfect for anyone getting into recording, especially with the price.

Clear, flattering mic for vocals, melodeon/accordion

Gavin A., 24.04.2014

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I've only used the cardiod and figure of 8 settings in a crossed pair set up with my rather dark vocals and melodeon, but I've been pretty pleased with it.

I think it would be really quite difficult to go far wrong with this mic - unless you try to use the figure of 8 setting in a small, echoey room. I tried that and with the SC1100's bright sound it made my head rattle, so damp the room, I say...

I'll try more experiments, but I guess the darker sounding SC450s will still get used, particularly for voices that they suit, and for recording choruses etc.
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€125 £104.57
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item number 156824
sales unit 1 piece
available since November 2002
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at thomann.de Rank 4291
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