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the t.bone Ovid System CC 100

the t.bone Ovid System CC 100
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the t.bone Ovid System CC 100, condenser Clip microphone for the Ovid System, easy Installation with different holders (optional), cardioid, 20 - 20.000 Hz, flexible gooseneck for easy positioning of microphone, incl. windscreen, 3 pol Mini XLR-plug for use with t.bone Wireless-Systemes (works also with AKG Wireless-Systems) incl. XLR Phantomadapter, length of gooseneck: 130 mm, Length of cable: 2m

Come up with your own creative bundle and save

If you order this product together with others as part of a bundle, you can save up to %8 additionally!
the t.bone TWS 16 PT 821 MHz + the t.bone Ovid System CC 100 + the t.bone Ovid System Case + the t.bone Ovid System CC 100 + +1 more
starting from €219 Configure bundle now

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the t.bone Ovid System CC 100 71% bought this exact product
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€48 Add to Cart
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462 customer ratings:

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5 of 266 feedback texts

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Fantastic Mics

Thomas E. 235, 06.09.2013

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I've been amazed at the versatility of this mic. I've tried it on guitar, violin, viola, cello, accordion (right hand), concertina, hammer dulcimer, and even as drum overheads. I have seen them being used to great effect on highland pipes with Peatbog Faeries at Sidmouth Folk Festival. I believe it to be a fantastic all round mic for close micing live or in the studio. It has good rear rejection and it doesn't feed back unexpectedly.

On violins and violas, so many other pickups and mics overdo the treble response, leaving the violin sounding harsh and cheap. This one has a much warmer tone and reproduces the violin's natural sound very well if the mic is placed directly above the bridge. I have found the best location for the clip is the lower left corner of the body. The best position for guitar was also as close to the bridge as possible.

The violin clip and guitar clip are able to be attached to practically anything they will fit around and, with a good squeeze, don't fall off even when playing vigorously. The rubber holder that supports the mic means that knocks on the bodywork are not picked up directly. This makes it ideal for micing the underside of a dulcimer.

Overall, I am very pleased with these mics, to the extent that I will be purchasing a third one soon!

CC 100 on a Double Bass

15.06.2016

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The CC100 was attempted on several double basses, mainly using the dedicated double bass clip. Several trials were performed, trying to establish the optimal distance & location of the microphone.

The quality of sound is fair, but not quite at the level of an LDC mic. The main problem is the relatively low sensitivity & output level, resulting in relatively poor S/N. This is because the double bass is a relatively quiet instrument (compared to, for instance a trumpet or a snare drum).

Qualitatively the best results are obtained with the microphone placed close to the top, with the goose neck sticking through the bridge feet. However, in this close position it is quite a focussed point-measurement (though not as focussed as common DB PU's, as the Realist or contact mic's). Moving it farther out results in a more global perception of the instrument, yet at the cost of poorer S/N.

f-Holes need to be avoided: the sound will be strongly tainted by the Helmholtz blow resonance resulting in a dark grotty wash.

Sound quality can be further improved by setting judicious (sharp) notches on your pre-amp, after spectral analysis of the raw data.

Unbelievably good value

Robert4603, 01.07.2015

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This is a competitor to the DPA 4099 series of microphones, but at a fraction of the price. I wanted to mic up my acoustic guitar but avoid a cumbersome full size mic and stand arrangement, and couldn't justify the cost of a DPA. The Ovid works very well, with a suitable pre-amp, into my small PA system and it is certainly good enough for 'low key' live performance work at least. I cannot compare its sound quality to the more expensive option but for my needs that doesn't matter and I suspect that, for the average audience member, there would be no discernible difference! The mounting bracket grips the guitar well but can be dislodged, so care must be taken not to knock it accidentally when playing. If used regularly on a guitar of no great value I might be tempted to attempt some sort of screw-on fixing method, or maybe a miniature G-clamp to the metal body of a resonator, for added security. The cable is also very thin and will need to be looked after - or I may look into splicing it onto a more robust cable. Overall, incredibly good value and more than adequate performance for semi-pros like me.

Nice sound but it's not for noisy gigs

Patrick1329, 07.02.2014

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This microphone gives a beautiful natural sound. The sound compares well to the Shure SM57 that I used to use for this purpose and it's much more convenient as you don't have to keep so still.
I've used it quite a bit now and although the plastic mounting doesn't look strong at first it has withstood everything I've put it through. If you're playing a small intimate gig where everyone is relatively quiet and listening this is ideal. I've also used this to add a little "woody" natural sound to augment the pickup. As it fits neatly into the pocket of my guitar case I bring it to every gig but use it at only about half of them.
The real problem comes with the feedback threshold. If you're playing a gig where a good deal of gain is required then you're better off to use a pickup and preamp because otherwise feedback becomes a nightmare. Also the attachment is not very stable and sometimes the mic falls out of position when you leave the guitar down on a stand. I haven't used other similar microphones (e.g. DPA etc) so I can't compare this t.bone to them and maybe I'm being a little unfair, so apologies to t.bone if that is the case.
Overall though, I'm very glad I purchased this.

Great little mic for the price :)

David5985, 14.05.2016

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Had 4 of these on tour with a string quartet doing one nighters in various venues around the UK with guitar, keys and bass. I've had no issues with feedback and the sound quality is great for live work. I can't really fault these for the price. I even bought a spare just in case the string players broke one, but they stood up to being thrown on the floor after the gig every night...
I've used lots of DPA 4099s and they haven't last very long and at £300 a pop.

So for £37 you can't go wrong... :)
€48 £40.09
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item number 270447
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available since April 2012
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