These are great times for soundtrack composers who need convincing orchestral samples. With titanic collections available from a range of developers, it might seem an odd time for the programmers at ProjectSam to consider the launch of a new orchestral software instrument title. However, the brains behind Symphobia are soundtrack and games composers themselves, who know exactly what’s missing from the current crop of software orchestral titles – namely, multi-instrument combinations and orchestral effects which are ready to burst forth to accompany all manner of cinematic styles, with a minimum of organisational fuss.

 

Author   Jon Buchanan   Issue   Future Music 02/2009   number of pages   1